{"id":2908,"date":"2021-07-15T22:14:39","date_gmt":"2021-07-15T22:14:39","guid":{"rendered":"https:\/\/www.ismardavidarchive.org\/indexofnames\/?p=2908"},"modified":"2021-07-20T19:59:04","modified_gmt":"2021-07-20T19:59:04","slug":"the-original-typophile","status":"publish","type":"post","link":"https:\/\/www.ismardavidarchive.org\/indexofnames\/the-original-typophile\/","title":{"rendered":"The Original Typophile"},"content":{"rendered":"<p class=\"mt-2\"><em>Paul A. Bennett, 1897\u20131966, advertising executive, typography director for Mergenthaler Linotype Company, founder of the Typophiles.<\/em><\/p>\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1.jpg\" data-rel=\"lightbox-gallery-0QpM0GZS\" data-rl_title=\"Paul A. Bennett\" data-rl_caption=\"Paul A. Bennett\" title=\"Paul A. Bennett\"><img loading=\"lazy\" decoding=\"async\" width=\"752\" height=\"1024\" src=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1-752x1024.jpg\" alt=\"Paul A. Bennett\" class=\"wp-image-2915\" srcset=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1-752x1024.jpg 752w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1-220x300.jpg 220w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1-768x1045.jpg 768w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1-1128x1536.jpg 1128w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1-1505x2048.jpg 1505w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab1.jpg 1800w\" sizes=\"auto, (max-width: 752px) 100vw, 752px\" \/><\/a><figcaption>Portrait of Paul A. Bennett, taken by <a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/a-burton-carnes\/\">A. Burton Carnes<\/a>.<span class=\"photocredit\"> Courtesy of Jerry Kelly.<\/span><\/figcaption><\/figure><\/div>\n\n\n<p class=\"mt-2\"><span class=\"smallcaps\">The New York Times headline <\/span>for Paul Bennett\u2019s obituary called him simply \u201ctypography expert,\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"1\" data-mfn-post-scope=\"00000000000004fe0000000000000000_2908\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004fe0000000000000000_2908-1\">1<\/a><\/sup><span id=\"mfn-content-00000000000004fe0000000000000000_2908-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Obituary, <em>New York Times,<\/em> December 19, 1966, p 37. <\/span> as befitted this man who had spent virtually his entire life involved in \u201cadvertising, printing and printing machinery\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"2\" data-mfn-post-scope=\"00000000000004fe0000000000000000_2908\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004fe0000000000000000_2908-2\">2<\/a><\/sup><span id=\"mfn-content-00000000000004fe0000000000000000_2908-2\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"2\">McKay, George and Francis Harvey, <em>Paul Bennett: Dean of the Typophiles,<\/em> Print Magazine, December 1953, p.9\u201316.<\/span> and around a great many industry luminaries. Bennett grew up in New York City, where his grandfather had a print shop. (And he might have entered the family business, too, but for the collapse of the building in which it operated.) As a teenager, his job setting type for advertisements for Paul B. Hoeber, a book seller and medical publisher, brought him into contact with Frederic Goudy and the two men became friends. Enlistment in the army at age 19 made Bennett briefly a machine gunner, but after his discharge, he returned to printing and took a job as director of Typography for Fuller &amp; Smith, the largest advertising agency in Cleveland. He gained selling and advertising experience at two more firms in Cleveland, before Goudy asked him to return to New York as head of advertising and printing for his old boss Hoeber. The job with Hoeber didn\u2019t last, but a 30-year association with the Mergenthaler Linotype Company in Brooklyn began, and Bennett started meeting casually with other men in the industry for lunch. The group were sometimes referred to as the Biblio-Beef-Eaters and later became known as the Typophiles.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"3\" data-mfn-post-scope=\"00000000000004fe0000000000000000_2908\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004fe0000000000000000_2908-3\">3<\/a><\/sup><span id=\"mfn-content-00000000000004fe0000000000000000_2908-3\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"3\">Ibid. McKay, George and Harvey.<\/span><\/p>\n<div class=\"row\">\n<div class=\"col-8\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2.jpg\" data-rel=\"lightbox-gallery-0QpM0GZS\" data-rl_title=\"Robert L. Leslie and Paul A. Bennett.\" data-rl_caption=\"Robert L. Leslie and Paul A. Bennett.\" title=\"Robert L. Leslie and Paul A. Bennett.\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"714\" class=\"wp-image-2916\" src=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2-1024x714.jpg\" alt=\"Paul A. Bennett and Robert L. Leslie, head of the Composing Room and sponsor of Gallery 303\u2019s \u2018Heritage of the Graphic Arts\u2019 lectures.\" srcset=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2-1024x714.jpg 1024w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2-300x209.jpg 300w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2-768x535.jpg 768w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2-1536x1071.jpg 1536w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab2.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n<p>\u00a0<\/p>\n<figcaption>Bennett with Robert L. Leslie. <span class=\"photocredit\"> All photographs by A. Burton Carnes, courtesy of Jerry Kelly.<\/span><\/figcaption>\n<\/figure>\n<\/div>\n<div class=\"col-4\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3.jpg\" data-rel=\"lightbox-gallery-0QpM0GZS\" data-rl_title=\"Paul A. Bennett at a talk by John Dreyfus about Jan Van Krimpen, 1965. Phil Grushkin (with mustache) sits behind him.\" data-rl_caption=\"Paul A. Bennett at a talk by John Dreyfus about Jan Van Krimpen, 1965. Phil Grushkin (with mustache) sits behind him.\" title=\"Paul A. Bennett at a talk by John Dreyfus about Jan Van Krimpen, 1965. Phil Grushkin (with mustache) sits behind him.\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"1024\" class=\"wp-image-2917\" src=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3-750x1024.jpg\" alt=\"Paul A. Bennett\" srcset=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3-750x1024.jpg 750w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3-220x300.jpg 220w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3-768x1048.jpg 768w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3-1125x1536.jpg 1125w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3-1500x2048.jpg 1500w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2021\/07\/pab3.jpg 1800w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a>\n<p>\u00a0<\/p>\n<figcaption>Bennett at a \u2018Heritage of the Graphic Arts\u2019 lecture by John Dreyfus about Jan Van Krimpen, 1965. <a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/philip-grushkin\/\">Phil Grushkin<\/a> (with mustache) sits behind him.<\/figcaption>\n<\/figure>\n<\/div>\n<\/div>\n<p class=\"indentpara\">President of the National Arts Club John Clyde Oswald famously described <a href=\" https:\/\/www.ismardavidarchive.org\/indexofnames\/?s=typophiles \">The Typophiles<\/a> as a body of men surrounded by Paul Bennett.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"4\" data-mfn-post-scope=\"00000000000004fe0000000000000000_2908\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004fe0000000000000000_2908-4\">4<\/a><\/sup><span id=\"mfn-content-00000000000004fe0000000000000000_2908-4\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"4\">Diamant, E.M., et. al., <em>Encomium<\/em> from a collection of tributes to Paul Bennett, n.d.<\/span> and that remained pretty much the case until Bennett\u2019s sudden death from a heart attack in 1966. The gregarious, bicycle-race-loving football enthusiast<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"5\" data-mfn-post-scope=\"00000000000004fe0000000000000000_2908\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004fe0000000000000000_2908-5\">5<\/a><\/sup><span id=\"mfn-content-00000000000004fe0000000000000000_2908-5\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"5\">Ibid. McKay and Harvey<\/span> organized its activities, coordinated the production of its highly-coveted Chap Books and wrote its separately published Chap Book Commentaries. Bennett was the keeper of the secret Chap Book subscriber list. When <a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/hortense-mendel\/\">Hortense Mendel<\/a> died, Bennett dispassionately conferred with <a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/robert-leslie\/\">Bob Leslie<\/a> about whether to send her Chap Books to her widower or \u201cmake the spot available\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"6\" data-mfn-post-scope=\"00000000000004fe0000000000000000_2908\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004fe0000000000000000_2908-6\">6<\/a><\/sup><span id=\"mfn-content-00000000000004fe0000000000000000_2908-6\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"6\"> Letter from Paul A. Bennett to Robert L. Leslie, October 20, 1960, Typophiles, Inc. records, Series II: Robert Leslie papers, box 80, folder 11, New York Public Library.<\/span> to someone else. In addition to his tireless work for the Typophiles, Bennett wrote extensively in several publications of the day, gave lectures on graphic arts for New York University and traversed North America, promoting Linotype faces.<\/p>\n<p class=\"indentpara\">Hortense Mendel and Ismar David produced <a href=\"https:\/\/www.ismardavidarchive.org\/work\/paul-bennett-keepsake-2\/\">a keepsake<\/a> for Bennett. David lettered the cover of the <a href=\"https:\/\/www.ismardavidarchive.org\/work\/typophiles-chap-book-commentary-26\">26<sup>th<\/sup> Chap Book Commentary<\/a> in 1955.<\/p>","protected":false},"excerpt":{"rendered":"<p>Paul A. Bennett, 1897\u20131966, advertising executive, typography director for Mergenthaler Linotype Company, founder of the Typophiles. The New York Times headline for Paul Bennett\u2019s obituary called him simply \u201ctypography expert,\u201d as befitted this man who had spent virtually his entire life involved in \u201cadvertising, printing and printing machinery\u201d and around a great many industry luminaries. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2908","post","type-post","status-publish","format-standard","hentry","category-b"],"_links":{"self":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts\/2908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/comments?post=2908"}],"version-history":[{"count":9,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts\/2908\/revisions"}],"predecessor-version":[{"id":2947,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts\/2908\/revisions\/2947"}],"wp:attachment":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/media?parent=2908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/categories?post=2908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/tags?post=2908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}