{"id":4323,"date":"2024-08-16T20:46:16","date_gmt":"2024-08-16T20:46:16","guid":{"rendered":"https:\/\/www.ismardavidarchive.org\/indexofnames\/?p=4323"},"modified":"2024-08-23T23:12:53","modified_gmt":"2024-08-23T23:12:53","slug":"actor-and-printer","status":"publish","type":"post","link":"https:\/\/www.ismardavidarchive.org\/indexofnames\/actor-and-printer\/","title":{"rendered":"Actor and Printer"},"content":{"rendered":"<p class=\"mt-2\"><em>James Hendrickson, born c. 1898, actor-manager, typographer, printer.<\/em><\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"793\" height=\"1023\" src=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/jameHendrickson.jpg\" alt=\"James Hendrickson\" class=\"wp-image-4326\" srcset=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/jameHendrickson.jpg 793w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/jameHendrickson-233x300.jpg 233w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/jameHendrickson-768x991.jpg 768w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" \/><figcaption class=\"wp-element-caption\">James Hendrickson as Macbeth. <span class=\"photocredit\"><a href=\"https:\/\/archive.org\/details\/Gold_and_Black_1929\/page\/n93\/mode\/2up?q=%22james+hendrickson%22+Gold+and+Black\">Gold and Black, Birmingham-Southern College, February 28, 1930.<\/a><\/span> <\/figcaption><\/figure>\n<\/div>\n<p class=\"mt-2\"><span class=\"smallcaps\">\u201cWhen I couldn\u2019t decide<\/span> which road to take, I decided to travel both,\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"1\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-1\">1<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">McCarthy, Julia, \u201cHamlet in Wintertime Is Printer in Summer,\u201d <em>The Daily News, June 20, 1938, p. p7.<\/em><\/span> James Hendrickson told a reporter. And, a gratuitously snarky report in the New York Times notwithstanding,<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"2\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-2\">2<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-2\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"2\">Crisler, Ben, \u201cHamlet Hops the 6:45: James Hendrickson, Actor and Master Printer, Is One Who Knows a Hawk From a Handpress,\u201d New York Times, July 22, 1934, sect. 9, p. 1.<\/span> he did just that. Hendrickson (with his old-school repertory company, The Shakespeare Players) did \u201ca world of good in keeping alive throughout the country the traditions of the legitimate stage through their interpretation of the works of the master dramatist.\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"3\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-3\">3<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-3\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"3\">\u201cShakespeare Still Has Strong Appeal,\u201d Plattsburgh Daily Press, October 28, 1933, p.4<\/span> And, when not on the road (from October to May), Hendrickson worked for and alongside some of the finest printers in America.<\/p>\n<p class=\"indentpara\">Hendrickson began printing as a kid. He bought his first equipment for $5 and set it up in his mother\u2019s kitchen, making flyers for local shops. As the presses got bigger, the size of the kitchen unfortunately remained the same. \u201cMy bedroom, right over the kitchen, was my composing room. I would rush down the stairs with a chase full of type to the press room, where my mother was trying to bake pies. I had to dash upstairs again to make corrections. Back and forth, back and forth. Figure the excitement when I printed a 100-page cookbook.\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"4\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-4\">4<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-4\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"4\">McCarthy, Julia,<em> The Daily News, June 20, 1938, p. p7.<\/em><\/span> Hendrickson was among the young printers who \u201capprenticed\u201d<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"5\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-5\">5<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-5\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"5\">Loxley, Simon, \u201cFrederic Warde, Crosby Gaige, and the Watch Hill Press,\u201d Printing History, Summer 2008. <\/span> at the prestigious press of William Edwin Rudge. He went on to succeed Frederick Warde at Crosby Gaige\u2019s Watch Hill Press and was, for a few years, in charge of production at Alfred A. Knopf.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"6\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-6\">6<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-6\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"6\">Bluementhal, Joseph, <em>Typographic years : a printer&#8217;s journey through a half century, 1925-1975,<\/em> printed for the members of the Grolier Club, 1982, p.79.<\/span> In 1943, Hendrickson performed an invaluable service to printing history with his <em>Paragraphs on Printing<\/em>. Elicited from conversations with Bruce Rogers, as the subtitle explains, it is the only lengthy compilation of the design philosophy of a designer famously reticent to give it. When Joseph Blumenthal established a printing workshop for the <a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/american-institute-of-graphic-artists\/\">AIGA<\/a> in 1948, the shop director was Hendrickson.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"7\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-7\">7<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-7\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"7\">Bluementhal, <em>Typographic years<\/em>, p.79.<\/span><\/p>\n<p class=\"indentpara\">But the stage was irresistible and Hendrickson ambitious. No less than film star William Powell had encouraged him to be an actor, back when both were members of a Shakespeare Club in Kansas.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"8\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-8\">8<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-8\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"8\">McCarthy, <em>The Daily News<\/em>, June 20, 1938, p. p7.<\/span> This led to acting school after the First World War, then a decade as a journeyman performer, including two years traveling with Fritz Lieber and his troupe. In 1927, Hendrickson founded his own touring company with his wife, Claire Bruce, herself a veteran of a company lead by Robert B. Mantell. She played Ophelia to Hendrickson\u2019s Hamlet and Lady Macbeth to his Scottish thane as they barnstormed colleges and high school auditoriums by bus, enduring all manner of catastrophe due to weather and road conditions.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"9\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-9\">9<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-9\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"9\">\u201cShakespeare Cast Has Bus Accident; Cancels Date Here,\u201d <em>The Evening Times<\/em> [Sayre Pennsylvania], February 9, 1935, p. 5.<\/span> After the couple disbanded the Players in 1942, they ran a printing and design service out of their hotel apartment.<sup class=\"modern-footnotes-footnote modern-footnotes-footnote--expands-on-desktop \" data-mfn=\"10\" data-mfn-post-scope=\"00000000000004f00000000000000000_4323\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004f00000000000000000_4323-10\">10<\/a><\/sup><span id=\"mfn-content-00000000000004f00000000000000000_4323-10\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"10\">\u201cClaire Bruce, Artist and Actress, Was 63,\u201d <em>The New York Times,<\/em> April 6, 1959, p.27.<\/span><\/p>\n<p class=\"indentpara\">Claire Bruce died of a heart attack in April of 1959. A year later, Hendrickson printed an unusual tribute volume. It contains a reproduction of a spirit, or automatic, drawing. In this case, it is a colored-pencil sketch, depicting Sister Mary Cecilia holding little James Francis Weiss, \u201cby Claire Bruce Hendrickson through the mediumship of Lillian Dee Johnson\u201d in a totally darkened s\u00e9ance room on August 3, 1959. Ismar David did the <a href=\"https:\/\/www.ismardavidarchive.org\/work\/a-spirit-drawing\/\">lettering for the binding<\/a>. When the book was finished in the spring of 1961, Hendrickson sent David a copy. In his note, Hendrickson refers to David\u2019s most recent <a href=\"https:\/\/www.ismardavidarchive.org\/work\/seasons-greetings-1961\/\">New Year\u2019s card<\/a>, which indirectly acknowledged the recent death of <a href=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/hortense-mendel\/\">Hortense Mendel<\/a>. <\/p>\n<blockquote class=\"ideaBlock\">\n<p class=\"text-right\">April 19, 1961<\/p>\n<p class=\"indentpara\">Dear Ismar<\/p>\n<p class=\"indentpara\">I am sending you one of <u>the books<\/u> under separate cover. Your contribution is beautiful and I <u>thank you<\/u>!<\/p>\n<p class=\"indentpara\">The date on the title page is really incorrect as the book is just now out of the bindery and you are among the first to see it.<\/p>\n<p class=\"indentpara\">I hope you may be able to give the story of Little Jimmy a measure of credence\u2014your New Years card gives me reason for so hoping\u2014and if so the implications of this episode are tremendous ones.<\/p>\n<p class=\"text-right\">Faithfully,<\/p>\n<p class=\"text-right\">James Hendrickson<\/p>\n<\/blockquote>\n<div class=\"mt-2\">\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"1024\" src=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-711x1024.jpg\" alt=\"Letter from James Hendrickson\" class=\"wp-image-4325\" srcset=\"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-711x1024.jpg 711w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-208x300.jpg 208w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-768x1107.jpg 768w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-1066x1536.jpg 1066w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-1421x2048.jpg 1421w, https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-content\/uploads\/2024\/08\/hendricksonLetter-scaled.jpg 1776w\" sizes=\"auto, (max-width: 711px) 100vw, 711px\" \/><figcaption class=\"wp-element-caption\">Letter from James Hendrickson to Ismar David, 1961. <span class=\"photocredit\"><a href=\"https:\/\/archivesspace.rit.edu\/repositories\/3\/resources\/977\">Ismar David papers, Box 1, folder 2, Ismar David papers, Cary Graphic Arts Collection, RIT.<\/a><\/span> <\/figcaption><\/figure>\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>James Hendrickson, born c. 1898, actor-manager, typographer, printer. \u201cWhen I couldn\u2019t decide which road to take, I decided to travel both,\u201d James Hendrickson told a reporter. And, a gratuitously snarky report in the New York Times notwithstanding, he did just that. Hendrickson (with his old-school repertory company, The Shakespeare Players) did \u201ca world of good [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4323","post","type-post","status-publish","format-standard","hentry","category-h"],"_links":{"self":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts\/4323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/comments?post=4323"}],"version-history":[{"count":10,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts\/4323\/revisions"}],"predecessor-version":[{"id":4416,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/posts\/4323\/revisions\/4416"}],"wp:attachment":[{"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/media?parent=4323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/categories?post=4323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ismardavidarchive.org\/indexofnames\/wp-json\/wp\/v2\/tags?post=4323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}